Logitech, in many regards, is the leader in the PC peripheral market with high-quality products that don’t break the bank (most of the time, anyway!) and the Logitech C922 Pro doesn’t buck that trend. It’s small, produces great quality video and offers multiple mounting options.

The camera has two resolution settings: 1080p at 30fps and 720p at 60fps, giving you the choice to focus on either frame rate or overall quality. High frame rates provide a much smoother camera stream and won’t look out of place if you’re streaming 60fps gameplay. The webcam also boasts a Carl Zeiss glass lens with smart and adaptable autofocus that produces crisp, clear videos. It works well in low light and backlit environments too, thanks to built-in light correction that boosts light levels when required, making it ideal for late-night Skyping, and the 78-degree FOV is impressive too.

The C922 also offers automatic background removal and while it’s not perfect, it’s more than enough for most gamers that want to stream gameplay without showing off their home environment. It performs better with simple, uncluttered backgrounds, and those that demand perfection always have the option of picking up a dedicated greenscreen.

It offers support for XSplit Gamecaster and with a three-month trial in the box, and also features a stereo microphone. It’s not really a factor for streaming, but it’ll make video calls and using Cortana much easier. There’s also Logitech Camera for Windows app that allows you to preview your webcam and change settings that’ll be applied to all apps that use the camera.

It features a flexible grip that can be placed both on the top of your PC display and folded over and placed on your desk. That’s not all though, as the C922 also features a tripod mount and even comes with a handy mini tripod in the box to get you started. It’s the little things, after all!

Ausdom might not have the pedigree of Logitech when it comes to its webcams, but if you leave your brand loyalty at the door, the AF640 doesn’t disappoint.

The hardware itself goes toe-to-toe with the likes of the famed C920, with a glass lens, an adjustable bracket – complete with a threaded universal tripod mount inlaid into its base, a wide-angle field-of-view, up to [email protected] video capture, noise-cancelling capabilities from its integrated microphone and face-based autofocus.

Whether you’re video conferencing from the boardroom or Skyping with the family, one of the AF640’s greatest assets is its ultra-wide 90° field of view. You can fit more into frame than most of the cameras in this lineup and the Ausdom also brings impressive image clarity to the table too.

It’s integrated mounting is also incredibly versatile, with a rubberised base, so it won’t slip if placed on a flat surface, as well as the option of using the hinge to grip to the edge of your monitor or laptop display and, as mentioned up top, it can even be affixed to a standard 3/8-16 tripod screw.

The plug-and-play compatibility with both Windows and Mac OS, means it’s not one for tinkerers but is ideal for those who want fuss-free setup and instant use.

Picture quality is great, albeit a little less saturated than some entries in the lineup and while autofocus is slower to adjust than some cameras, it reacts with a consistency and confidence that means it never needs to hunt to keep the image sharp and always makes its mark.

If you’re hesitant to spend a lot of money, then it’s worth considering the Papalook PA452. It manages to produce an impressive 1080p video quality at 30fps with its 5-layer film-coated optical glass lens.

You get a focus ring on the front of the camera, which can sharpen your lens to the level you want and is easy to use. Manual focus is a rarity on webcams, so if you’d prefer this to be fixed or automatic then this isn’t the product for you.

The f/2.0 aperture gives you the ability to make your background more blurred out, providing that professional portrait style.

It also comes with auto low-light correction, which seems to work reasonably well when recording in the evenings. The field of view is 65 degrees, which isn’t the widest out there but is still large enough to capture a backdrop setup.

The Papalook PA452 comes with a built-in omnidirectional, noise-cancelling stereo microphone. Whilst audio is clear enough for video calls, it’s on the tinny side. If you’re using this for more professional use, you should consider getting a separate microphone.

The mount of the PA452 isn’t able to grip thinner screens well. Whilst using it on a desktop was fine, on a laptop the grip struggles to stay balanced. If this is a major issue, you can unscrew the webcam from the mount and put it on your own tripod.

You can download Papalook software for taking photos or capturing video, but I personally prefer working with third-party apps. There aren’t any further gimmicky features on this webcam, but forgoing that for an affordable price is a fair deal.

The Hypercam HD is an inexpensive webcam that offers great value with a high-spec range of features.

It looks eerily similar to a few other Chinese-made webcams, and it’s not even rebadged as a Hyper product on the webcam itself.

That said, we found few faults in testing. Its 1080p HD resolution picture quality is noticeably better than on our test laptop’s default 720p HD camera, and the audio is clear. 

Unlike some cheaper webcams, its glass lens has a 78-degree field of view – the same as the top-end Logitech C922.

It also matches that webcam with fast 720p HD at 60Hz, and 1080p at 30fps.

The Hypercam features built-in HD autofocus and light correction, and two integrated mics.
It is adjustable at up to 170 degrees.

There’s no tripod mount option, but you can hang it off the top of a laptop or display, or just place it on your desktop.

Installation is simple – just plug the USB cable into your computer or docking station, and the driver automatically installs for almost immediate use.

Logitech’s StreamCam, the latest camera from the brand, is the first to record both horizontally and vertically depending on its orientation – that’s because the device is created with aspiring content creators and video game streamers in mind. (It’d certainly be easier to record content for Instagram Stories, right?)

The camera also boasts features like AI-enabled face tracking, smart image stabilisation and Full HD video capture at up to 60fps.

It works via Logitech’s recording and streaming software Capture which users can use to fine-tune how the feed looks. The easy-to-use software lets you composite two separate StreamCam feeds, overlay titles and graphics and use a green screen too.

The camera is compatible with third-party software like Open Broadcaster Software and XSplit too, so you can stream directly to YouTube, Facebook Live and Twitch if you prefer, and of course, it’s also compatible with video conferencing software.

The StreamCam is available in white and graphite and ships with one tripod mount and one monitor mount.

The AverMedia Cam 513 stands out from the rest of the options in our chart because it boasts Sony’s 8Mp Exmore R CMOS image sensor for [email protected] video capture – or [email protected] for those that prefer faster frame rates. That, combined with an impressive and 94-degree field of view, provides a large, detailed canvas perfect for cropping and zooming without noticeable loss in detail.

That’s where the AverMedia CamEngine comes in. Unlike some of the cameras mentioned in our chart, CamEngine is a vital utility and essentially required to get the most out of the Cam 513. With the software you can not only tweak the look of the webcam, but access more advanced features including Snapchat-esque filters and, more importantly, AI-powered camera cropping capabilities.

It does what it says on the tin; uses AI to crop in and track your face as you move around, ideal for the more energetic streamer or video caller. It’s not always flawless in performance, sometimes cropping into something that vaguely looks like a face, but you’ve also got the option of manually setting up each crop for different shots and angles. Those shots can be programmed to hotkeys, allowing for extreme zooms and dramatic ultra-wide shots on-the-fly during streams and video calls.

You’ll also find a privacy-focused shutter built into the Cam 513, covering the webcam sensor when not in use. The adjustable stand can attach to most displays, and with a screw mount on the bottom, it can be attached to desktop tripods too. There’s a USB-C port on the rear for connectivity, rather than offering a built-in cable, which comes with the benefit of being able to replace it with a shorter or longer USB-C cable depending on how you want to set it up.

It’s a great 4K webcam for those on the market for something premium – the only real annoyance is that there’s a faint ticking noise coming from the webcam during use, and you can sometimes hear it using the built-in mic.

While many webcams look alike, the Razer Kiyo offers something different; namely, a multi-step ring light surrounding the camera to provide even lighting, even in dark conditions. The ring light comes on automatically when the webcam is in use, and can be adjusted (or turned off completely) via a dial just behind the light.

It’s ideal for those that don’t get a lot of natural light near their PCs and want evenly-lit video. Though the ring is quite large, the good news is that the camera folds back on itself when not in use and doesn’t take up much space.

That’s not the only unique design feature either; the Kiyo features an L-shape joint and a wide, flat base that can be used to either prop the camera on top of your computer display or placed on a desk and angled upwards. It’s easy to find the right angle with the Kiyo, and for those that want something a little more stable, it also features a tripod mount.  

The Kiyo boasts a 4Mp camera sensor and like the Logitech C922, it also offers a variable resolution; [email protected] or [email protected] The camera quality is great, and even with the ring light turned off, it handles low-light environments surprisingly well.

It doesn’t have an accompanying app for PC, meaning the camera settings will have to be edited on a per-app basis. It’s not the end of the world, but a simple camera preview app with access to camera settings would’ve been nice – especially for the price.

Overall, though, the Razer Kiyo is an impressive webcam and is the ideal choice if your PC is in a dimly-lit environment. 

If the room you’re recording in is dim and you don’t want to fork out money for additional lighting, then the Papalook PA552 is worth considering. Like the Razer Kiyo, this is a multi-step ring light webcam with three different brightness options in a cool white shade that lights up your profile, even when recording at night.

The light is paired with a 5-layer glass lens that can record 1080p at 30fps, which makes for a high-quality picture. This is a fixed focus camera, which means that if you want a blurred background look, you’ll need to install third-party software.

The field of view is quite wide at 75 degrees, useful if you’re recording multiple people in one shot. If you’d rather have a closer crop, some recording tools such as OBS do allow you to crop out parts of the room.

The PA552 can be adjusted up to 90-degrees on the hinge, so you can easily turn it away for privacy when it’s not in use, and the included mount is sturdy and secure.

You also get a mini tripod. This is useful if you want to test out a different angle on your desk, or if you’re streaming from a console.

Unfortunately, the dual omnidirectional microphones let the webcam down. Audio is extremely tinny, and on occasion it picked up feedback from my PC. I’d recommend either using your device’s built-in mic, or opting for a separate dedicated USB one if you’re streaming/creating videos.

This plug-and-play webcam is easy to use, and works well with third-party recording software – though Papalook does offer a basic programme for recording video. It’s slightly cheaper than the Razer Kiyo, but doesn’t offer the option to record in 720p at 60fps like its rival. Nonetheless, it’s still more affordable than buying a separate webcam and a dedicated light.

The Microsoft LifeCam Studio isn’t a new entry to the market – in fact, the camera launched back in 2010. But, all these years on, the camera still provides amazing quality video that can best many of the webcams available today. Why? It’s mainly down to the inclusion of Microsoft’s TrueColour and ClearFrame technologies.

TrueColour provides incredible colour and brightness control and can tackle almost any lighting situation. Whether your room is flooded with natural daylight or you barely get a glimmer of light, the Studio will intelligently tweak the camera’s settings to provide even lighting and colour.

ClearFrame is the final step in the process, reducing graininess without losing detail and making the video ‘soft’. The end result is a webcam that provides incredible quality video in a range of environments.

Due to the age of the camera, it can’t compete in every department. The LifeCam Studio offers both 720p and 1080p video, but unlike the others in our chart, the camera is capped at 30fps. It shouldn’t be a deal breaker though – we think the quality of the camera and the price are enough to overlook the omission of 60fps capture.

It’s also incredibly small in design, and thanks to a pivot joint, the camera can be rotated almost 360-degrees. The attachment base has an adjustable rubber clip that can be bent and attached to PC monitors and a tripod mount, but can’t be placed directly on the desk like the Razer Kiyo.  

Another downside to the age of the camera is that the accompanying software was designed for Windows 7 and isn’t compatible with Windows 10, so you’ll have to adjust video settings on a per-app basis.